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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
19.7x19.7in
About this artwork
Pale Bloom explores a restrained yet luminous palette of blush, muted rose, warm beige and soft grey tones. The composition unfolds through layered, gestural brushstrokes that build a tactile surface and create a sense of organic expansion.
Rather than depicting a literal floral motif, the painting suggests a state of emergence — a quiet opening of color and form. Areas of density alternate with breathing space, allowing the surface to pulse subtly… between structure and dissolution.
The work balances warmth and fragility, inviting a contemplative viewing experience. Its softened contrasts and atmospheric transitions make it suitable both as a statement piece in a minimal interior and as a harmonizing element within a layered space.
The edges are painted as a continuation of the composition, allowing the diptych to be displayed without framing.
The painting is coated with satin varnish for protection.
My path into art was not traditional. I came to painting in a mature age, after a successful career in biology. For a long time, my inner world was shaped not by emotion, but by scientific thinking: structure, analysis, and proof. At some point, something shifted. Whether by chance, fate, or a memory carried through generations, the creative impulse made itself known. I grew up in a family with deep artistic roots. I was born in Central Asia and now live in Norway. These two experiences shaped my perception of color and light: the warmth of the South as inner energy, and the Northern silence as a sense of pause. I work with acrylic on canvas, creating layered abstractions where lived experience accumulates. My works are not stories. They are states. Emotion becomes rhythm, stillness turns into movement. Turquoise is my weakness. I love this color without explanation — as if I do not choose it, but it chooses me. For me, painting is not a way to tell, but a way to remain.