Is It You Gabriel?
Acrylic, Oil on Canvas
39x28in
$17,020
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Ted Barr
Israel
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 39.4x39.4in
About this artwork
This piece is my exploration of the Talmudic saying: As Above So Below, meaning that cells, organs, galaxies, and stars are made from the same brickstones.
What we see is but a tiny fraction of what exists, each viewer has its interpretation. In this artwork I tried to demonstrate
contrast and unity, harnessing the potent textures of acrylic, oil, and tar. It embodies a visual journey, where chaos and calm coexist, symbolizing life’s intricate… ballet of turmoil and tranquility. The dynamic forms and burst of colors invite viewers to find balance in opposites, echoing the universal dance between destruction and creation.
What we see is but a tiny fraction of what exists, each viewer has its interpretation. In this artwork I tried to demonstrate
contrast and unity, harnessing the potent textures of acrylic, oil, and tar. It embodies a visual journey, where chaos and calm coexist, symbolizing life’s intricate… ballet of turmoil and tranquility. The dynamic forms and burst of colors invite viewers to find balance in opposites, echoing the universal dance between destruction and creation.
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
RECO As Above So Below
$17,130
