Is It You Gabriel?
Acrylic, Oil on Canvas
39x28in
$17,020
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Ted Barr
Israel
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 59.1x43.3in
About this artwork
There were certain recurring visions in all of my Shamanic quests. I didn’t see angels or aliens, nor did God appear in my visions. Trees were simply trees, but they shimmered in vibrant colors, with branches sprawling in every direction and bearing the most colorful fruit. Human figures remained human, though their proportions were distorted—eyes could stretch to cover half their body. I also saw figures dressed in rainbow-colored armor, firing…
deep blue arrows into the tops of velvet trees. There were tribes of snakes, schools of phosphorescent fish, a weeping salamander, and countless other inspiring creatures.
Another consistent theme was motion—everything was constantly in motion. Nothing stood still. Even the trees moved. Later, I realized that in the Ayahuasca vision quest, trees have no roots, and figures have no fixed outlines.
All of these experiences led to creating the artwork I call ‘I Am Wasca’.
Another consistent theme was motion—everything was constantly in motion. Nothing stood still. Even the trees moved. Later, I realized that in the Ayahuasca vision quest, trees have no roots, and figures have no fixed outlines.
All of these experiences led to creating the artwork I call ‘I Am Wasca’.
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
RECO I Am Wasca
$25,560
