Alps 18
Acrylic, Oil on Canvas
71x16in
$33,680
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Ted Barr
Israel
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 31.5x39.4in
About this artwork
It began with a journey—crossing the snowy Alps from Turin to Lyon in an RV, caught in a storm that blanketed the world in white silence. I was at the wheel, Orly, my wife, snapping photographs through the windows. Only later, back home, did I begin to see the quiet magic in those images. A new art series was born—Alps. Most of the works are in stark black and white, ghostly trees and heavy clouds.
But one painting stood apart. As I stared at it,… something emerged from the snow—a dark, wide eye, then the gentle curve of a trunk. An elephant. At first, it was barely there, a suggestion, a shadow. But once I saw it, I couldn’t unsee it. It was no longer a landscape. It was ‘Elephant in Snow’
But one painting stood apart. As I stared at it,… something emerged from the snow—a dark, wide eye, then the gentle curve of a trunk. An elephant. At first, it was barely there, a suggestion, a shadow. But once I saw it, I couldn’t unsee it. It was no longer a landscape. It was ‘Elephant in Snow’
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured artist
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
RECO Elephant in Snow
$19,170
