Buy with confidence
Free shipping & returns
Shipping and customs included. 30 day free returns
Certificate of authenticity
Signed and included with every artwork
Framing
Make your artwork stand out
Customers rate Singulart 4.9/5
Singulart is rated 4.9/5 by over 20,000 customers
Ted Barr
Israel
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 74.8x55.1in
About this artwork
SIS – Sperm in Space
An inquiry into scale, origin, and the architecture of existence
In SIS – I tried to explore the paradox of human insignificance and boundless imagination. Positioned against the cosmic backdrop, the sperm—a microscopic carrier of human potential—is recontextualized as both symbol and subject: the first vessel of encoded identity, a singular biological entity loaded with infinite possibility.
Set within the metaphor of the… “universal womb,” this work reimagines the sperm not only as the initiator of life, but as a cosmic protagonist—drifting in space, suspended in the primordial vastness that precedes form. By drawing a line between the microscopic and the celestial, the work confronts viewers with fundamental questions: Where do we come from? What are we made of? How can something so small contain the blueprint for thought, memory, and meaning?
An inquiry into scale, origin, and the architecture of existence
In SIS – I tried to explore the paradox of human insignificance and boundless imagination. Positioned against the cosmic backdrop, the sperm—a microscopic carrier of human potential—is recontextualized as both symbol and subject: the first vessel of encoded identity, a singular biological entity loaded with infinite possibility.
Set within the metaphor of the… “universal womb,” this work reimagines the sperm not only as the initiator of life, but as a cosmic protagonist—drifting in space, suspended in the primordial vastness that precedes form. By drawing a line between the microscopic and the celestial, the work confronts viewers with fundamental questions: Where do we come from? What are we made of? How can something so small contain the blueprint for thought, memory, and meaning?
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
SIS 1
$46,520
