Discover the creation in interiors
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 67.7x67.7in
About this artwork
I'm revisiting some of my favorite artists from art history in this series and altering the image into a new context or meaning.
In this case, I have appropriated Titian's "The Crowning with Thorns" (1573) accentuating the chaos and vibrancy in the human experiences. Using bold oil colors, I've merged expressionism with impressionism and a loose figurative style, crafting semi-abstract forms that dance across the canvas in a tumultuous harmony. The… artwork, with its fierce reds and calming greens, represents the perpetual motion of our inner feelings and the intense beauty belying the suffering contained within the story of this painting
In this case, I have appropriated Titian's "The Crowning with Thorns" (1573) accentuating the chaos and vibrancy in the human experiences. Using bold oil colors, I've merged expressionism with impressionism and a loose figurative style, crafting semi-abstract forms that dance across the canvas in a tumultuous harmony. The… artwork, with its fierce reds and calming greens, represents the perpetual motion of our inner feelings and the intense beauty belying the suffering contained within the story of this painting
thomas ackermann
Canada
Credentials
- Featured in gallery curations
- Works on commission
Thomas Ackermann, trained at York University and The New School of Art, in Toronto Canada. He was mentored by some of the best artists in the country who taught at the NS of A. Over a span of 50+ years of painting he has developed a unique method and manner of application of paint to the canvas surface that confronts the viewer with the overwhelming feeling that in the case of Ackermann‘s paintings, "the medium is the message", a brilliant proposition coined by Marshall McCluhan. Unrestricted in his choice of subject matter, his paint surfaces transcend conventional expectations that engage the viewer more directly into his curious, artistic vision. In an interview, Ackermann once remarked, that his deepest motivation to make a painting, comes from his “romance with eternity”, which might explain the fact there is always a sense of the unexpected in his immensely diverse body of work.