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This quote and Richter's influence, not only as an artist but as a person, upon me has been deep. Once I left manual painting and migrated to the digital, I created techniques to emulate the fine art techniques and aesthetic. It took me a year to develop my own combination of assets and techniques to emulate oil on canvas, watercolour on paper, etc...
I wanted to leave an homage to Richter, and this… is the first image I made with this intent.
Tomaz Favilla is an Anglo-Brazilian digital artist with roots in music and visual arts, educated at Brighton University and the Escola Pan-americana de Arte e Design. His technique involves digitally manipulating original photographs, emulating fine art painting styles while embracing intentional image error and glitch. He strongly believes that images printed on canvas deliver the best results. It gives viewers the experience of having to "look again" to check whether it is printed or every detail made by a physical brush. It is truly, unique. Visually, technically and soulfully. His works undoubtedly transmit feelings. Through his experimental process, he explores the cycles of creation and destruction to depict silent equilibrium amidst chaos. His artworks powerfully convey both the striking beauty and melancholy of transformation, offering viewers a sense of profound stillness and hope within tumultuous reality. His work has become part of his constant path to acquire inner peace.
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Richter Sunset n.888
Tomaz Favilla
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