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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
36x30in
About this artwork
Before The Meat Comes immerses the viewer in a sensory moment that feels anticipatory and instinctual, much like the way scent reaches us before sight or touch fully registers an experience. The dense layering of smoky blues, charred blacks, and bursts of warm rust and ochre creates a visceral atmosphere, suggesting aromas drifting and colliding in the air. Sweeping, looping strokes and splatters move across the surface like invisible scent trails,… guiding the eye in restless, exploratory paths. The composition feels deliberately overwhelming, mirroring how smell can suddenly intensify our awareness of a place, memory, or moment before we consciously understand it. In this way, the painting captures how scent sharpens curiosity and heightens our engagement with the world, turning the unseen into something powerfully felt.
Tony Gregg is an abstract painter from Rhode Island, with a BFA from Bowling Green State University, whose Midwest roots and persistent curiosity shape his practice. He works intuitively with paint, building each canvas by hand and employing gestural techniques—swells, spirals, drips, and smears—that evoke movement, tension, and cycles of memory. His distinctive style hovers between spontaneity and control, inviting chance and ambiguity. In his work, Tony conveys a potent blend of restraint and freedom, evoking emotional states that invite viewers into a dynamic dialogue of anticipation, reflection, and connection.
Tony has appeared in multiple New England based galleries as well as The World of Interiors, Tatler, British Vogue, Spotlight Contemporary Art, The Huts, Purposeful Mayo and Collect Art Autumn publications.