• Switzerland •
Embroidery on Linen , Other rigid frame
39 x 47 in
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L'Ura Rosa – The Pink Hour, embroidery on printed and painted cotton, stretched on a canvas frame. The work tells the story of the mountain in the sunset, its pastures and craters, the quarries, abysses, the full richness of its primal power. I use embroidery here like painted brushstrokes. For over 20 years, I have been developing my own stitch sequences, which I program specifically for my machine to achieve a particular effect. This process is… just as time-consuming as hand stitching, while the initial stitching itself can, in the best-case scenario, be done in a day. After that, however, it has to be built up in layers, just like an oil painting, for example. Everything is a bit more complicated because of the translation via programming.
That's precisely what makes it so appealing. What's difficult to capture in photos is the unique quality of embroidery. It comes alive in the light and from every angle. Important: When you purchase one of these piles, you're getting a one-of-a-kind piece.
Ursula Waldburger utilizes painting, photography, drawing, and textile art, drawing on her diverse international background and studies in textile design at the Zurich School of Design. Her work combines dynamic freehand strokes, extensive material experimentation, and her profound expertise in textile technology; she often works on a large scale and creates new contexts by repurposing earlier pieces. Her art reflects themes such as transience, decay, and the forces of nature, inviting viewers to pause and embark on a quiet, deeply emotional exploration.