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Les Trois Chaplin is not only about cinema or nostalgia. It is about repetition, memory, and transformation — the same silhouette appearing three times, like an echo moving through history. Gold leaf turns the familiar figure into a relic, while the black ground and Auruscript fragments pull it out of ordinary portraiture and into another register: part icon, part manuscript, part artifact.
The work holds a paradox I keep returning to: what feels… new is often not new at all. It is the past, reactivated. Reframed. Rewritten in another material.
Gold leaf catches the light differently from every angle, so the image does not stay fixed. It shifts between figure, surface, and script — between the remembered and the newly seen.
Keeping Soft just received Second Place in the “Childhood: Yesterday, Today & Tomorrow” exhibit with Round Rock Arts at the J.B. & Hallie Jester Williamson Annex Gallery in Round Rock.
Victor Selin is a visual artist and calligrapher whose scientific background in materials science informs his meticulous use of gold leaf on black surfaces, drawing on both classical and contemporary craft traditions. His technique melds calligraphic lines, geometric rhythm, and relief with precision methods like gilding, embossing, and hand-engraving; he often incorporates a unique, personal script inspired by ancient writing systems. Selin’s art radiates a sense of refined mystery and opulent restraint, conjuring nostalgia, elegance, and an emotional resonance that unfolds quietly and profoundly over time.