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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
27.6x19.7in
About this artwork
A ballerina, captured in a moment that is neither pose nor pure movement. It's the moment suspended between effort and grace, the one the audience usually misses because they applaud too early. Here, however, she stands there, still, and looks at you without looking back.
The figure is reduced to the essential: a sharp, almost graphic black silhouette that becomes the visual fulcrum of the work. Around and above her, color does what it wants. Red,… blue, yellow, and white don't describe the body but rather permeate it, as if dance were not a physical gesture but an emotional state. The tutu is not a dress; it's a surface on which color explodes, gets dirty, makes mistakes, and therefore works.
The backdrop, deliberately irregular and vibrant, offers no specific location. No theater, no recognizable stage. This shifts the focus from the classical idea of ballet to something more universal: discipline, solitude, the beauty born of hardship.
My name is Vincenzo Raimondo, I live and work in Palermo, a city of contradictions that profoundly influence my vision. I'm a self-taught artist, and my painting doesn't follow a fixed style: it evolves over time, along with my experiences and personal maturity. My work stems from observing everyday life and listening to emotions, which is why I tackle diverse themes and continually experiment with new languages, allowing each piece to find its own form.
My art is instinctive, essential, and imperfect, rooted in the complexity of humanity and nature. I don't seek perfection, because it doesn't belong to reality. Imperfections become part of the work: rough marks, dirty or scratched surfaces are traces of the creative process and my identity. I love what is authentic and lived-in. For me, art isn't decoration, but presence, accessible and sincere, capable of connecting with the viewer.