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It is a dialogue between two bodies – that of the human and that of the tree. It begins with the selection of the wood – I only use wood from a deceased tree (not one felled for purely economic reasons). In this way, the natural history of life and death is already incorporated. I only begin working once I have developed a relationship with the part of the tree I wish to work on. My craftsmanship is combined with an elaborate knowledge of the material.… I consider the work process a dialogue, the result of which is a written work. In this, I draw on the tradition of calligraphy and write with fire and ash. Large cracks are stabilized with metal – like a butterfly bandage applied to a tear or injury in human skin. The surface is then coated with shellac, a natural product. This oak tree lived in Lower Austria.
Vinko Nino Jaeger uses media such as wood carving, abstract drawing, painting, photography, and writing. He studied contextual painting and object sculpture at the Academy of Fine Arts Vienna, graduating with distinction. He employs an abstract and surreal aesthetic to disrupt conventional concepts of the body. His working techniques focus on craftsmanship; he uses natural materials and creates his own paints according to his own recipes. He also frequently incorporates fire into his work. Dreams are often the starting point for his artistic practice. The dream is the connection to invisible, subterranean worlds. In transforming the dreamed, a spontaneous, abstract gesture is important to him—with half-open, half-closed eyes.