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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
24.4x12.6in
About this artwork
Set against the abstract form of a painter’s palette, this crucifixion scene becomes a deeply personal icon of artistic and spiritual surrender. The elongated figure on the cross, rendered in unnatural hues, evokes both Christ’s sacrifice and the artist’s own inner crucifixion—the stripping away of ego, the agony of creation, and the yearning for transcendence. The red cloth and glowing yellow orb hint at divine presence, while the stark background… and bold brushstrokes reflect the tension between suffering and revelation. This is not just a depiction of faith—it is a confession in color, a liturgy of paint, a sacred wound made visible.
Vladimir Georgievski (1942–2017), born in Skopje, was a painter, sculptor, stage designer, and professor whose career spanned decades of artistic and academic achievement. Educated in Skopje and Belgrade, he later taught at the University of Sts. Cyril and Methodius, the Film and Theatre Academy, and Europa Prima University. His work extended to theatre and film through stage and costume design, and he received Macedonia’s highest cultural award for lifetime achievement. Internationally recognized, he created a bas‑relief of Dostoyevsky for the museum in Saint Petersburg. Using oils, aquarelles, acrylics, pastels, and inks, his expressive lines and layered compositions explored human nature, faith, and mortality. His art radiates existential intensity, blending figurative and symbolic styles to transform man and nature into emblems of philosophical inquiry. His works remain in public and private collections worldwide, a testament to his enduring legacy: vladimir-georgievski.com.