A curation by Natalie Slater, Curator at Singulart - Italian painter Stefano Mazzolini distorts the body until it hovers between figure and abstraction. Faces, limbs, and familiar forms bend, stretch, and fold into one another, making each composition feel fluid rather than fixed. Working primarily in grayscale, Mazzolini builds depth through light and shadow before interrupting it with subtle flashes of fluorescent color. His paintings move between solidity and dissolution, allowing recognizable forms to surface and disappear across the canvas. Rather than presenting a finished image, these works stay in motion. The body is never entirely stable, giving each painting a sense of tension, movement, and continual transformation.