O.T.
Acrylic, Collage on Canvas
39x39in
$2,560
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Annette Gesine Rathjen
Germany
Related collection
Exhibition Ortswechsel BLUE - Annette Gesine Rathjen
2 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Other artworks by Annette Gesine Rathjen
Artwork details
- Medium : Acrylic, Paper Without Stand
- Dimensions : Length: 31.5in, Height: 19.7in, Depth: 31.5in
About this artwork
It is a sculpture consisting of the (blue) planet and its moon. I worked on the theme of BLUE, a group exhibition whose works moved to Gelsenkirchen in September 2024.
What fascinated me about this topic was the examination of the nature of planet Earth, which is over 70% covered by water and which determines its colorful appearance. I created this sculpture from over 120 used pieces of paper that I painted, poured paint on or added pigments to.…
The exhibition series that I curated and organized will be continued. The artist group is also expanding their work. After the change of location, the entire show can be seen in Bremerhaven until the beginning of May 2025. A variety of engagement with the color blue that currently has no parallel?!
What fascinated me about this topic was the examination of the nature of planet Earth, which is over 70% covered by water and which determines its colorful appearance. I created this sculpture from over 120 used pieces of paper that I painted, poured paint on or added pigments to.…
The exhibition series that I curated and organized will be continued. The artist group is also expanding their work. After the change of location, the entire show can be seen in Bremerhaven until the beginning of May 2025. A variety of engagement with the color blue that currently has no parallel?!
Annette Gesine Rathjen
Germany
Credentials
- Featured in gallery curations
- Works on commission
Annette G. Rathjen is a versatile artist with a background in photography, painting, and printmaking. She works with a mixture of painting, collage, and drawing, layering elements upon elements. She uses acrylic paints, charcoal, chalk, but also sand, coffee grounds, marble dust, ash, and sometimes old nautical charts.
This creates a tension: lines and colors assert themselves, are covered over. Something new breaks through, something old remains visible. It's like a conversation on the canvas—sometimes a dialogue, sometimes an argument.
The result is images that reveal both structure and movement. They are not linear narratives, but fragments, superimpositions that challenge us; inviting us to let go of our perception, not to stop at the first step, but to inspire us as viewers and invite our own interpretation. Her works are exhibited in France, Austria, Italy, and the USA.
This creates a tension: lines and colors assert themselves, are covered over. Something new breaks through, something old remains visible. It's like a conversation on the canvas—sometimes a dialogue, sometimes an argument.
The result is images that reveal both structure and movement. They are not linear narratives, but fragments, superimpositions that challenge us; inviting us to let go of our perception, not to stop at the first step, but to inspire us as viewers and invite our own interpretation. Her works are exhibited in France, Austria, Italy, and the USA.
