Fragments of Day
Oil on Canvas
31x31in
$1,750
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Chantelle Stean
United Kingdom
Discover the creation in interiors
Other artworks by Chantelle Stean
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 23.6x23.6in
About this artwork
A vibrant reimagining of Contemporary Cubism, this piece deconstructs an intimate moment of companionship into a rhythmic tapestry of geometric fragments. Through a meticulous tessellation technique, the figures and their environment merge into a "stained-glass" composition of deep violets, warm ochre, and prismatic sky blue. Inspired by the Orphism movement, the fractured perspective captures the multi-layered nature of conversation—where light,…
glass, and human connection converge into a single, synchronized frequency.
Chantelle Stean
United Kingdom
I am an oil painter based in the UK, working in oil on canvas. I returned to painting after a long break and found my way back through light — specifically that charged, fleeting quality at the horizon when the sky does something unexpected and the world becomes briefly more itself than usual.
My paintings are not records of specific places. They are emotional responses to atmospheric moments — the colour of a sky ten minutes before a storm, the way a low moon turns water briefly unbearable, the strip of gold at the horizon just before the sun disappears.
I build light in layers, using thin oil glazes that accumulate depth over time. I work with soft edges and a palette that prioritises emotional truth over literal accuracy. If the sky needs to be more purple, it is more purple.
My paintings are for people who have stood at the edge of the sea and felt something they couldn't quite name. I am trying to name it.
My paintings are not records of specific places. They are emotional responses to atmospheric moments — the colour of a sky ten minutes before a storm, the way a low moon turns water briefly unbearable, the strip of gold at the horizon just before the sun disappears.
I build light in layers, using thin oil glazes that accumulate depth over time. I work with soft edges and a palette that prioritises emotional truth over literal accuracy. If the sky needs to be more purple, it is more purple.
My paintings are for people who have stood at the edge of the sea and felt something they couldn't quite name. I am trying to name it.
