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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
39.4x39.4in
About this artwork
Typography, pop art, and biting humor: this canvas plays with the codes of logos and advertising posters to reveal, belatedly, a word we don't always dare to utter. The red and blue shapes initially appear abstract, almost playful. Then the eye slowly reconstructs the letters, and the message emerges, direct, like a graphic Freudian slip.
Using a very "flagship" blue-white-red palette, the work flirts with the aesthetics of branding and political… slogans while subverting them. It is no longer an insult, but a signal: a silent outlet against the saturation of correct language, political correctness, and the advertising communication that invades our lives.
Hung in a living room or office, this piece becomes a conversation starter: some will see only a play of colorful shapes, others will immediately decipher the hidden word. This contrast, between elegant design and contained anger, makes it an ideal piece for collectors who
Stephane Dillies’ paintings have been internationally exhibited, from France to Qatar. The artist, who lives and works in Brussels, takes photographs of trash he finds around the world and transforms them into paintings. The pieces are entitled using the GPS coordinates of the garbage. Oriented towards images of chaos, his art reflects modern landscapes which reveal the futility of society. A figurative painter, he also creates abstract works using oils and acrylics with successive layers of glazes.