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During the Syrian war, buses in Aleppo were positioned upright to protect snipers. The shapes of the subfloors inspired me to create this composition along with the concrete slabs of the destroyed buildings. Hellsgate, hell on earth and the question I always ask myself: What is still being fought for when everything is destroyed. is it worth it?
Gerard Philippart is a painter, draftsman and printmaker with a self-taught background. He develops constructed visual worlds, uses fish-eye perspectives, and masters complex structures in etching and stone lithography. His art expresses metaphysical depth and conceptual power.