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Obscured by clouds: oil on special textured wood. Framed.
The title is borrowed from Pink Flloyd. This is one of my works that explores the emotional landscape of the Mediterranean coast—its warmth, its rhythm, its timeless pull. The forms are hardly abstracted: hints of buildings and bastions emerge from muted layers of color of a restricted palette. The alla prima approach captures the spontaneity of memory. These are not literal seafronts, but… dreamlike impressions—places where land meets sea, and past meets present. The heavy cloud element, painted in a deep mix is important here for me as it gives the scene a particular, universal dimension. The clouds strengthen the move away from pure realism , they are not normal Med clouds.
Born and based in Malta, I have always been guided in my artistic work by the Mediterranean atmosphere of sea and light. Thoughout my professional life, as an international judge with the UN and the EU, painting remained my constant discipline — strengthened through sustained study with master painters in France and Italy. My work moves between the semi-abstract and the abstract, Vertical elements often suggest human aspiration; horizontal passages evoke calm and continuity. This interplay restores the balance we seek daily: between thought and emotion. In a culture that rewards speed art offers something rare — the invitation to slow down, to look, and to feel without urgency. My influences include Turner’s atmosphere, Rothko’s emotional depth,, and the Japanese understanding of stillness and beauty through restraint. Each painting is built slowly, allowing light to settle into the work. The result is not merely visual, but experiential — a space for quiet reflection.