Mask No. 17
Oil on Linen
40x30in
$6,500
Framing
Make your artwork stand out
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Gregory Malphurs
United States
Don't delay, there are 2 collectors who are also interested in this work
Artist highlights
- International Exposure
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Gregory Malphurs
Artwork details
- Medium : Oil on Linen
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 40x30in
About this artwork
“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.” Oscar Wilde
We all wear masks—symbols of what we hide, reveal, and carry within ourselves. Da Vinci captured tiny, subtle expressions in the Mona Lisa that left us wondering. Carl Jung believed that our masks reveal as much as they hide.
The MASK paintings offer you a unique chance to experience art as a mirror—reflecting parts of yourself… you may have never seen before.
We all wear masks—symbols of what we hide, reveal, and carry within ourselves. Da Vinci captured tiny, subtle expressions in the Mona Lisa that left us wondering. Carl Jung believed that our masks reveal as much as they hide.
The MASK paintings offer you a unique chance to experience art as a mirror—reflecting parts of yourself… you may have never seen before.
Gregory Malphurs
United States
Credentials
- International Exposure
- Featured in gallery curations
- Works on commission
« I aim to make a completely original and iconic work the sticks to the viewer by demanding their attention and refusing to let go, leaving an indelible mark on their memory. »
I paint to disrupt certainty.
I grew up between two opposing worlds—strict control and complete freedom. I learned early that what we’re told to believe and what actually feels true don’t always match. That tension never left me. My work lives there.
I don’t give answers—I obscure them. Each painting is built to hold tension, giving you just enough to recognize something, but not enough to settle into it. When you stand in front of the work, you’re not just looking—you’re participating. The painting acts as a mirror. What you see says as much about you as it does about the image.
I’m not interested in approval. I’m interested in reaction—what you project, what you recognize, what stays with you.
My paintings are held in private collections across the United States, Europe, South America, and Australia.
This isn’t art that resolves itself. It doesn’t decorate a space. It holds tension.
If you’re looking for something that simply matches your room, this isn’t it.
I grew up between two opposing worlds—strict control and complete freedom. I learned early that what we’re told to believe and what actually feels true don’t always match. That tension never left me. My work lives there.
I don’t give answers—I obscure them. Each painting is built to hold tension, giving you just enough to recognize something, but not enough to settle into it. When you stand in front of the work, you’re not just looking—you’re participating. The painting acts as a mirror. What you see says as much about you as it does about the image.
I’m not interested in approval. I’m interested in reaction—what you project, what you recognize, what stays with you.
My paintings are held in private collections across the United States, Europe, South America, and Australia.
This isn’t art that resolves itself. It doesn’t decorate a space. It holds tension.
If you’re looking for something that simply matches your room, this isn’t it.
Gregory Malphurs
Mask No. 2
$6,500
