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At the back of the sculpture we see a figure of Jesus with his arms outstretched. Next to it sits the Prince of Darkness himself, with goat horns and animal bones on a kind of throne, painted in a truly hellish red. In front of it is a bonsai pine tree in a green pot in the middle of green surroundings. Paradise perhaps?
Two top footballers in the foreground: The one with a mohawk holds the ball, which is known to be round, in one hand and makes… a gesture with the other, which, together with the open mouth, probably expresses a clear instruction about what the opposing player in the red jersey is saying but shows unimpressed. Between the two is a scary black two-headed hellhound. This Cerberus seems to guard the entrance to the underworld as well as to the supposed paradise, where the two kickers have long since arrived.
Heribert Heere uses collage, paintings (oil, acrylic, watercolor), digital media, and photography; his artistic development was honed at the Academy of Fine Arts Munich and shaped by art historical studies. With sophisticated stylistic pluralism, he combines old and new, representational and abstract, and the trivial with high culture in his works, allowing collage, painting, and montage to flow seamlessly into one another. His works create a poetic tension and invite viewers to reflect on the constant metamorphosis of our culture and to experience the interplay of meanings on an emotional level.