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In 'Vanity', I use my own body as a map of vulnerability and desire. This self-portrait was born in the intimacy of my bedroom in Barcelona, under sunlight that streams through me as the port and cable car fade into the background. Before capturing the image, I adorned my skin with a body painting of leaves, seeking an organic fusion between the human and the plant.
Through the technique of etherography, I detach the emulsion from the Polaroid… film and transfer it to the canvas, creating overlapping layers that breathe. For me, this work inhabits the tension of the gaze of others: it is that fragile space between the impulse to reveal oneself and the fear of disappearing. Here, my body ceases to be merely form and becomes a boundary of feelings and a breathing sound, inviting the viewer to question what we truly withhold from ourselves.
Macarena Stipetic (Argentina, based in Barcelona) explores the fragility of the image as a reflection of human emotion through her personal project: Eterografía. The name, born from the union of the ethereal and the graphic, defines her search for a visual writing that captures the impalpable.
Using the delicate technique of 'Polaroid Emulsion Lift', Macarena rescues analog photographs from their rigid support, giving them a new, organic, and vibrant existence. In an act of manual alchemy, she peels off the emulsion—the very skin of the image—and transplants it onto handcrafted cotton canvases. The image folds and acquires a unique three-dimensionality, transforming into a physical vestige of memory.
Her works are unique pieces that celebrate the beauty of the ephemeral. Macarena's art invites us to inhabit the poetic space between what we try to hold onto and what fades away; a refuge where the image becomes pure feeling.
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Vanidad
Macarena Stipetic
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