Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Ten Commandments 2.0
If humanity has decided to "overturn" itself, to entrust its soul to the digital revolution, let it at least agree to follow certain laws, recognized as the Ten Commandments, which can act as a guide for the centuries to follow. I thought that in order to be understood, they needed to be updated by rewriting them using the binary code of the digital language (zero/one, on/off). The current Tablets of the Law - written by Yahweh… about 3700 years ago - are no longer applied or followed, probably no longer understood and perhaps experienced as an obsolete and out-of-time communication. I rewrote them, translating them to update them, giving life to a 2.0 version, hoping strongly that they will be able to enlighten us again.
Marco Ceraglia, coming from a photographic background, creates as a contemporary artist using mainly the materials of Arte Povera, with a focus on metal. His style combines the canons of conceptual art and the Dada movement, producing works carved into metal plates, characterized by significant wordplay. His works demonstrate a discreet discomfort towards the pervasive digital revolution, expressing themselves through a strongly analogue practice.