Mini Americano Rosa
Resin, Objects
6x4x6in
$1,850
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Renato Gosling
Brazil
Artist highlights
- Featured in gallery curations
- Works on commission
Other artworks by Renato Gosling
Artwork details
- Medium : Resin, Latex Without Stand
- Framing : Framing on request
- Dimensions : Length: 3.3in, Height: 4.3in, Depth: 1.6in
- Edition : 1 / 6
About this artwork
Paredes, 2022. Mixed media. 11 × 8.5 × 4 cm
• Accompanied by a certificate of authenticity
• Limited edition
Three ears — black, beige, and white — held by wooden clothespins form a simple yet powerful image. The gesture of “pinching” hearing suggests silence, censorship, and saturation: would it be possible to switch off our hearing in a world that is too noisy? The piece, silent, makes us listen — or rather, think about what we do not hear. What… do we choose to ignore? What are we compelled to silence? The visual humor conceals a discomfort: there are denied, selective, and hierarchized forms of listening. By varying the colors of the ears, the artist also puts racial and social dynamics under tension: who gets to speak? Who is heard? And who is systematically silenced?
• Accompanied by a certificate of authenticity
• Limited edition
Three ears — black, beige, and white — held by wooden clothespins form a simple yet powerful image. The gesture of “pinching” hearing suggests silence, censorship, and saturation: would it be possible to switch off our hearing in a world that is too noisy? The piece, silent, makes us listen — or rather, think about what we do not hear. What… do we choose to ignore? What are we compelled to silence? The visual humor conceals a discomfort: there are denied, selective, and hierarchized forms of listening. By varying the colors of the ears, the artist also puts racial and social dynamics under tension: who gets to speak? Who is heard? And who is systematically silenced?
Renato Gosling
Brazil
Credentials
- Featured in gallery curations
- Works on commission
Renato Gosling is a São Paulo–based visual artist who transforms everyday subtleties into works charged with memory, affection, and critique. Born in 1976, he builds his practice from fragments of popular Brazilian life, using micro-narratives, sensory references, and childhood evocations to reflect on time, identity, and culture. In an era of acceleration and information overload, his works propose a pause — quiet invitations to contemplation. By appropriating common objects and vernacular symbols, he shifts the viewer’s gaze toward deeper layers of human experience. His imagery often reimagines familiar materials — chalk, cardboard, school furniture — turning them into poetic reflections on education, social structures, and collective memory. His solo exhibition The Truth About Nostalgia (2024) marked a turning point in his trajectory, alongside group shows and awards. Balancing technical rigor with poetic sensitivity, Gosling creates an affective archaeology where beauty resides in
Renato Gosling
Paredes
$4,320
