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2019 Nominated Juan Francés National Painting Award.
2021 Finalist for the XLII Gredos Painting Award.
The composition of the painting is located in the city of Fez, in the Seffarine square, which captures a moment of the day in which the copper craftsmen work the copper to make all kinds of everyday objects.
The observation of the scene and its photographic representation led me to ask myself about… various questions: if in the future the technological and artisanal world could coexist, at what point is humanity, as a whole and each one as a person, ... Starting from these questions and from the indisputable fact that we are biology and culture.
The viewer is invited to reflect conceptually on the world in which he lives now and what his projection for the future would be.
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The canvas has a protective frame (not decorative) to protect the work as much as possible.
Born in Zurich, Switzerland, in 1968, Richard Martin explores in his work identity, memory and the dialogue between image and thought. A perspective situated between two ways of understanding the world: one linked to a nomadic, intuitive and symbolic sensibility, and another rooted in European tradition. This crossing of heritages places his work in an in-between space from which his artistic language emerges.
From this “no-place”, his work incorporates interconnection as a structure of the world. The curve, central to his visual language, does not describe reality: it connects it, generating meaning between the personal and the collective. His works are present in private collections in the United States and Europe.
He studied at the Escola Superior de Disseny i Art Llotja in Barcelona and later expanded his education in Exact Sciences, Humanities, Communication and Fine Arts.
“Art is an adventure in an unknown world, different for every person.” Richard Martin Maya