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I work with the idea that the image is always unstable, that the medium conditions memory. The emulsion doesn't just print a photograph; it fuses with the rough surface, absorbs it, and distorts it. It's a visual metaphor for how perception and time erode, reinterpret, and transform what we believe to be fixed.
In this collection, there is no linear narrative, but rather a constellation of moments that reflect one another. I want the viewer to feel… as if they are observing something that is about to vanish, but that still persists long enough to demand one last look.
These three circular windows, worked with photographic emulsion on wood, are fragments of memory suspended in time. The figure, architecture, and texture do not seek to describe, but rather to evoke: the solitude of a passage, the weight of structures, the abstraction of a memory that can no longer be recognized.
Salva Nebot (Spain) is a multidisciplinary artist whose work has been exhibited in international institutions, galleries, and art fairs. His practice encompasses photography, painting, sculpture, and digital art, shaping a language that moves away from literal representation to explore subjective interpretation and the conceptual dimension. Influenced by the sensibility of German Expressionism, he articulates a critical reflection on perception, memory, and human experience. His work is characterized by formal rigor, the intense use of chiaroscuro, chromatic asceticism, and narrative fragmentation. Through light, shadow, and the superimposition of layers, he activates spaces of ambiguity and poetic density. His research addresses memory, absence, and oblivion, inviting the viewer to an interpretive threshold where the visible coexists with the latent.