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As I painted this piece, I loved the way the trees disappeared at the top. In the northern part of my state, I've often seen Birch forests that look like their tops were taken off by a storm--or that's what I assumed. When a Northwoods denizen explained that a Birch dies from their top branches down, I felt rewarded in my intuitive rendering! My impulse to exaggerate the setting sun left me curious too. I learned that while the sun can appear at… its brightest as it sets, the opposite is true. A darkening sky only makes it appear brighter. “Last Stand” suits both phenomenon nicely, don’t you think?
A limited palette makes this piece all the more effective, with color compliments focusing the eye on the intense shadows that would draw our eye at this time of day.
My designs emerge from my soul and intuition—my sense of wonder about the natural world. My most recent abstract works explore energy and movement in the style of organic abstraction and gestural landscape. Some bring an atmospheric quality while others convey the same dynamic flow found in wood grains, veins and transparent layers in natural stone, or patterns left in a creek bed when the water ebbs.
I practice in several styles and find that one teaches the next. I began with abstract acrylics, then was drawn toward gestural landscapes. Expanding to work with encaustics introduced a biomorphic quality across all my paintings. In either medium, color, texture, and movement are the primary elements in my designs. All my pieces contain dozens of layers rich with understory. In my abstracts, I begin with a sense of play, often with no initial intent beyond exploring a color. I begin with a sense of play, then stand back to adjust guided by principles of design.