Alps 18
Acrylic, Oil on Canvas
71x16in
$33,680
Framing
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Ted Barr
Israel
Related collection
Artworks Inspired by Libero Andreotti
150 pieces
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 39.4x70.9in
About this artwork
driving through a snowstorm in the French Alps brings to mind how fragile and momentary we are, the trees seemed like fighting for their lives, they couldn't t hide or run away from the mighty storm. I stopped our motorhome and took many photos that were the inspiration for the Alps series speaking about endurance, patience, and the cycles of nature
the artwork was made with the FLY method weaving cold tar, oil, and acrylic colors on a Gesso base
the artwork was made with the FLY method weaving cold tar, oil, and acrylic colors on a Gesso base
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
Alps 10
$33,900
