Alps 18
Acrylic, Oil on Canvas
71x16in
$33,680
Framing
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Ted Barr
Israel
Related collection
Artworks Inspired by Eugène Bléry
165 pieces
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 31.5x59.1in
About this artwork
In this fusion of acrylic, oil, and tar, I explore the raw, elemental forces of nature. My strokes tell a story of contrasts—ephemeral mists against eternal mountains, fleeting twilight skies against steadfast earth. Feel the sublime energy it radiates, an invitation to ponder nature's profound beauty and mystery within your space.
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
Alps 14
$33,780
