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"It seems to me pre-history will return, and a landscape of post-human anonymity might look like this"
In Pre-Historic Landscape, I invite us to imagine a world that has slipped free of human history — a world returned to its own primal dreaming. This vivid, sweeping work conjures a time before recorded memory, where earth’s forces shaped land, sky, and sea in ceaseless, unobserved motion. Rather than looking back in nostalgia, Pre-Historic Landscape… offers a vision of cyclical renewal. It suggests that after the Anthropocene — the human-dominated epoch — the earth will not simply end, but will reimagine itself in new and ancient forms. The painting resonates with contemporary ecological thought, reminding us that the planet's story is far longer and stranger than our brief chapter within it.
'Pre-Historic Landscape' is an excellent example of contemporary abstract expressionism, characterized by dynamic brushwork and vibrant, layered colors.
« I am an artist, pure and simple. I try to divide the cosmos with my hands. Happily, I speak to none, but everyone listens! »
Tillian is an award-winning artist based in Australia whose paintings have been featured in solo and group exhibitions nationally. He describes his artistic landscapes as visual narratives that trace passages in cyclical time and space. Through his works, Tillian explores themes related to anxiety, longing, and ecstatic recognition. In his artistic process, he favors using acrylics and gilding on wood. Tillian's practice bridges painting, mythopoetics, and ecological reflection. Deeply attuned to the natural and spiritual landscapes of the highland landscapes south of Sydney, Tillian often seeks to paint what resists depiction: the numinous, the mythic, the relational pulse between body and terrain. The artist synthesises elements of abstraction, post-symbolism, and visionary ecology to build a new visual lexicon of sacred land.