Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Hear how it sounds. See the frequency. Feel how it vibrates.
Three clappers seem to hit.
The lines form in rhythm. Periodic vibrations freely arising. Something sounds there, something sounds there. Bright and clear, short and long. A sound on the surface conquers the room.
Seeing and listening catch the noise. The sound of a city, sounds of life, everything sounds, everything vibrates. Chords and clusters, harmony and noise, noise in silence,… ear in the eye.
« When I'm in the process, I do not think. I let the process guide me. »
The German artist Uwe Beyer, born in 1959, lives in Coswig, near Dresden, and in Düsseldorf. He studied at the Burg Giebichenstein University of Art and Design in Halle (1988–1993). Uwe Beyer's paintings emerge more from mindfulness than from control. The material is allowed to move, resist, and settle. Form is not imposed but develops organically—stabilizing briefly before dissolving back into openness. Each work exists in a tension between presence and withdrawal, density and emptiness. It exists as a self-contained object while simultaneously eluding complete visibility. Instead of composing images, his practice creates the conditions for their emergence. These paintings do not represent the world. They reveal the conditions under which form – and thus reality – comes into being. What remains is not an image, but a trace of becoming.