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Other details :
Artwork on synthetic panel. Artwork framed.
Dimensions :
37.4x31.5in
About this artwork
The artist always spends some time in Sils in the Alps in September. The nights are already cold and there is occasional frost. Some plants are turning gold or bronze but otherwise the colours are predominantly blue, and turquoise (there's multiple lakes nearby.) Inspired by this palette and by the artists' love of Joan Mitchell's art, Alethea did various works as a homage to the famous abstract expressionist. At the same time they are a continuation… of Alethea's experimentation with line used to build form.
The work is a vibrant, multicoloured piece which balances energy with calm. It uplifting work in praise of the beauty and expansiveness of the mountain world.
It is painted on heavy BK Rives archival paper, then mounted professionally after which it has been touched up and treated with a satiny UV-protection. It is framed in a contemporary-look natural wood shadow frame.
« My works are reduced inner landscapes that invite the viewer to interpret the mood or atmosphere, whether calm, meditative, melancholy, playful, or joyous. »
Alethea Eriksson is a South African–Swiss artist based in Baden, Switzerland. Her lyrical expressionist paintings have been presented in both solo and group exhibitions across Switzerland, as well as at art fairs in Britain and Germany. She describes her abstract landscapes—what she calls “soulscapes”—as a form of visual poetry, expressing the sense of renewal and wellbeing she experiences in nature. Her work explores the mood and energy of landscapes, skies, the sea, and her own garden, while also engaging deeply with color, line, and form. Inspired by masters such as Monet and Cézanne, alongside Abstract Expressionists like Joan Mitchell and Cy Twombly, Eriksson creates compositions that invite the viewer to feel moved, uplifted, and immersed in a contemplative emotional space. Alethea Eriksson is a member of the Swiss Association of Women Artists.