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This abstract piece feels like a powerful, shifting landscape, blending heavy textures with ethereal light. The addition of sand gives it a gritty, physical presence that works beautifully with the "weathered" theme.
In this evocative abstract work, nature is felt rather than seen. I use a subtle brooding palette of indigo, slate, and charcoal, contrasted against a luminous, rising swell of pale blue and white. The inclusion of sand adds a tactile,… earthy dimension, creating a surface that feels weathered by time and the elements.
Gestural marks in colored pencil dance across the deeper tones, suggesting the frantic movement of wind or the delicate spray of a crashing wave. This piece explores the tension between the solid earth and the fluid sky, inviting the viewer to lose themselves in its deep, atmospheric layers. It is a study of a moment in flux—where the storm meets the shore.
« My works are reduced inner landscapes that invite the viewer to interpret the mood or atmosphere, whether calm, meditative, melancholy, playful, or joyous. »
Alethea Eriksson is a South African–Swiss artist based in Baden, Switzerland. Her lyrical expressionist paintings have been presented in both solo and group exhibitions across Switzerland, as well as at art fairs in Britain and Germany. She describes her abstract landscapes—what she calls “soulscapes”—as a form of visual poetry, expressing the sense of renewal and wellbeing she experiences in nature. Her work explores the mood and energy of landscapes, skies, the sea, and her own garden, while also engaging deeply with color, line, and form. Inspired by masters such as Monet and Cézanne, alongside Abstract Expressionists like Joan Mitchell and Cy Twombly, Eriksson creates compositions that invite the viewer to feel moved, uplifted, and immersed in a contemplative emotional space. Alethea Eriksson is a member of the Swiss Association of Women Artists.