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The linocut tells of an attempt to erase the Ukrainian soul by distorting its own words.
Once, the proverb “My house is on the edge — I face the enemy first” embodied dignity and responsibility — the root of civic consciousness.
Under Soviet rule, its meaning was inverted — turned into a symbol of fear, silence, and submission.
The work stands as a monument to language that survived destruction — a reminder that culture cannot be erased; it grows… even through silence.
Alona Parnevych is a Ukrainian painter and printmaker with an academic art background, creating evocative works in oil, linocut, and graphic art. She employs layered oil painting and classical techniques, merging them with contemporary graffiti-like gestures, translucent anatomical forms, and bold symbolic contrasts. Her art pulses with the tension between vulnerability and power, aiming to unsettle, provoke, and spark contemplation about identity, feminism, and transformation.
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After the Silence
Alona Parnevich
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