Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Medium :
Pencil, India Ink on Paper , Synthetic board under glass
Framing :
Framed
Dimensions :
27.6x21.7in
About this artwork
Drawing fully framed, with passe-partout, in a magnetic frame from the Halbe brand.
Final format: 70 x 55 cm
Profile: 13.5 mm front width, 27 mm wall depth, medium gray matt
Passepartout: Ivory, thickness 1.5 mm
Sheet format: 50 x 35 cm
Of course, I'm not exactly known for depicting animals - and cats in particular - in drawings. But when it comes to literary models in which animals are the actual protagonists, such as in Goerge Orwell's Animals… Farm or The Raven by Edgar Allan Poe, yes, why not? But here a Disney film was used to give the following little animals a name, even if they obviously don't have much in common with the actual heroes of the animated film Aristocats, purely visually. That wasn't intentional either. The question that arose was how to create cat pictures without completely slipping away in terms of quality in order to use drawings that are all too common...
« Even in my early youth, I wanted to be a great artist. I don't know why. »
Andreas Noßmann is a draftsman based in Germany whose works have been exhibited nationally and in the Netherlands. Having always been fascinated by topics that touch or disturb, his artistic practice is also marked by his requirement for "a perfect graphic implementation". Noßmann's distinctive and diverse landscapes, portraits, and still-lifes are created with pastels, graphite, pencils, India ink, chalk, and charcoal on paper, canvas, or cardboard.