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In contemporary society, many young people live with body dysmorphia, the obsession with physical defects often invisible to others. This work, along with the others in the series, an evolution of the "Reflections" project, explores the perception of the self: bodies, transfigured into liquid, iridescent surfaces, appear evanescent and fragmented, suspended between reality and imagination. The fluidity and visual distortion express a vulnerability… that transcends physical appearance, demonstrating how the gaze of others influences individual identity. The works become emotional mirrors, inviting reflection on the relationship between body and mind and the constant need for approval that shapes our self-perception.
Antonio Schiavano is a photographer and visual artist who explores the fragile boundary between identity and self-perception. After a solid experience in commercial photography with major international beauty and fashion brands, he has gradually shifted his gaze beyond the glossy image, developing an intimate and radical artistic research.
His works often originate from his photographs, which are physically transformed through scratches, abrasive materials, oils, and varnishes: a process that gives rise to the concept of Photomorphy, in which the act of destruction becomes a creative gesture, making each work unique and unrepeatable. Schiavano thus explores the tension between visible and invisible, real and fragmented, questioning the very idea of beauty and the value of appearance.
His technique uses light, matter, and composition as tools of perceptual investigation, transforming photographic language into a means of interior exploration and image deconstruction.