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In this work, I use watercolor to explore the duality of life and death, a recurring theme in the expression of Mexican life. Catrinas are elegantly dressed, skeletal female figures that have become an emblematic symbol of the Day of the Dead in Mexico. Originally created by printmaker and caricaturist José Guadalupe Posada, they were a social critique of the Mexican elite, who belittled their indigenous origins. The vibrant greens represent life,… full of energy and growth, on a seashore and a hut, while the central image of an eagle represents the founding eagle of Tenochtitlan. The skull connects these two extremes, offering a space for reflection on the deaths wrought by narcotics and the impurity of their forces in Mexico. The interconnection between the end and the beginning, the tangible and the metaphysical.
« I wanted to be a pilot, but I ended up painting. Now I fly higher. »
Arturo Prins is an exciting Spanish artist whose style comes from a sensibility of play, discipline, freedom and rebellion, redoubled in a constant reinvention of himself. Thematically, Prins looks to delve into metaphysics, symbolism, esoteric cosmogony, while mixing in humor to soften the transcendent themes in his work. He also describes his work as being "nostalgic for the future, sometimes with a nod to the eclectic spiritualism between East and West."