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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
20x16in
About this artwork
his painting brings together interwoven floral forms that gradually merge into the contours of a human nude, creating a figure that feels both revealed and concealed. The result is an expressionistic yet surrealistic composition where form, colour, and texture work in harmony.
The surface is alive with vibrant hues and tactile brushwork, celebrating the beauty of organic shapes while hinting at deeper, metaphoric meanings. Though subjective in interpretation,… the imagery invites viewers to explore themes of transformation, sensuality, and the fluid boundary between nature and the human form.
One can sense the subtle influences of Van Gogh’s emotional colour, Matisse’s bold simplicity, and a touch of abstract‑leaning realism, all filtered through your own distinct visual language.
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Art has been a part of my life for as long as I can remember. From early childhood, I was instinctively drawn to drawing and painting, exploring form, colour, and emotion long before I had the words to describe them. Although I formally studied art between 1989 and 1992, and had the rare privilege of training as a disciple in the studio of the legendary Jamil Naqsh, I still consider myself a self‑taught artist at heart. My artistic language has grown through constant experimentation, personal exploration, and an unbroken commitment to my craft. I have been painting professionally for over three decades, developing a body of work that reflects both discipline and intuition — a balance shaped by tradition yet driven by my own evolving vision