Daddy Boy

Aziseh Emmanuel

2021 • France • Acrylic, Screen Printing on Canvas

39 x 31 in

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Aziseh Emmanuel

France

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428 pieces

Artist highlights

Rising Stars
Group shows participant
International Exposure
Covered by the Press
Solo shows participant
Favorited by galleries
Featured in gallery curations
Works on commission

Discover the creation in interiors

Artwork details

Medium : Acrylic, Screen Printing on Canvas
Other details : Artwork on supported wooden frame. Artwork framed.
Dimensions : 39.4x31.5in

About this artwork

The artist considers himself as a spokesperson for the speechless beings, due to their fragility, innocence and ignorance. Through this, he reveals a positive vision of the world inspired from the day-to-day life of children as the first victims of social abnormalities. The notions of borders, barriers, and identity are represented here through day-to-day objects like flowers, outfits, and wallpapers.
His work is done entirely with acrylic paint… on canvas in a realistic tendency, using surrealist and symbolist processes in which he depicts the world in a form of anonymity. The wallpapers painted with the traditional screen printing technique, raises the question of beauty and how things are viewed positively. Through these wallpapers placed in the background, he no longer reminds the world of what it is going through, but vitrifies and sublimate its flaws, thus creating a reality which we all dream of.

Aziseh Emmanuel

France

Artist highlights

Rising Stars

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Credentials

Group shows participant
International Exposure
Covered by the Press
Solo shows participant
Favorited by galleries
Featured in gallery curations
Works on commission

« Being in an artificial and turbulent era, I do not inform, I do not disturb, I observe, and I present things otherwise. »

Aziseh Emmanuel is an award-winning painter and draftsman whose works have been exhibited in France, Cameroon, Germany, Belgium, The Netherlands, Luxembourg, USA and Spain. Describing himself as a humanist, his art proposes a positive vision of the world in its universality, evoking notions of peace and love through the portrayal of children with flowers in their hands. In so doing, Emmanuel believes that the viewer is confronted with a voluntary deconstruction of national identities and the abolition of boundaries, which are sources of constant conflicts.

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