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Chantal Cartier
France
Related collection
Artworks Inspired by Veniero Canevari
271 pieces
Artist highlights
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Chantal Cartier
Artwork details
- Medium : Collage, Pencil on Paper
- Framing : Framing on request
- Dimensions : 11.8x9.4in
About this artwork
In this work, I sought to capture the essence of texture and form, mixing collage, pencil and ink to explore the boundary between the abstract and the semi-abstract. Each element has been designed to provoke emotion and reflection, the composition inviting the viewer to interpret the subtle nuances and hidden stories. It brings a contemplative, rich and complex energy to any living space.
Chantal Cartier
France
Credentials
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
« We don't explain the painting, we feel it. »
To show, to make feel, to evoke a certain emotion in the eyes of the other.
I have been working for a long time; I started in the 80s in Nancy with a solid, sometimes tough, apprenticeship.
I started with drawing and ink, discovering the line, the light of the black ink on white paper, I grasped painting at the same time, engraving and sculpture, hours and hours of work, of research, I would almost say of struggle, because sometimes creation is one.
An encounter with matter and so much more… I showed little, exhibited little, vaguely sensing that this was neither my goal nor my motivation; I felt deep down that I had to go much further, much further still, to touch one part of myself in order to better touch another. After a few years, I understood that my work didn't necessarily originate in my mind.
Today I emerge from this stronger and more at peace.
I have been working for a long time; I started in the 80s in Nancy with a solid, sometimes tough, apprenticeship.
I started with drawing and ink, discovering the line, the light of the black ink on white paper, I grasped painting at the same time, engraving and sculpture, hours and hours of work, of research, I would almost say of struggle, because sometimes creation is one.
An encounter with matter and so much more… I showed little, exhibited little, vaguely sensing that this was neither my goal nor my motivation; I felt deep down that I had to go much further, much further still, to touch one part of myself in order to better touch another. After a few years, I understood that my work didn't necessarily originate in my mind.
Today I emerge from this stronger and more at peace.
