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bamboo
In my work, East and West, myth and present, the visible and the hidden meet. Through the interplay of ink, acrylic, pencil, charcoal, and collage on open wooden supports, process-oriented, multi-layered pictorial spaces emerge in which movement, structure, and change become visible.
European and Japanese visual worlds merge into open spaces of meaning. Bamboo plays a significant role in Shinto, particularly as a protective and welcoming… element. Its rhythmic imprints create a calm, almost meditative structure, while small figurative accents evoke the connection between nature, humanity, and the spiritual.
NOTE: The artwork can be presented in different orientations. With each choice, the relationship between image, space, and perception changes.
Christiane Hiltrop develops open pictorial structures that exist between surface and space. Through the layering of paper, ink, acrylic, pencil, charcoal, and collage on an open wooden support, she creates dense yet breathable surfaces. Material is understood not merely as a support, but as an active component of the pictorial process. Variable orientations change the perception of the work in space and constantly open up new perspectives – the viewer can become part of this open process. In terms of content, European and Japanese visual logics merge as permeable layers. Signs, shifts in scale, and transparent planes create tensions between visibility and concealment, movement and stillness. Hiltrop has a background in visual communication, art history, and modern Japanese studies. Her academic engagement with image theory and cultural studies shapes the conceptual orientation of her work.