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Ink, acrylic, pencil, charcoal, and collage combine on an open wooden support to form a quiet, minimalist composition. The layering remains transparent: traces, overlaps, and distortions are visibly revealed, lending the image a fragile, almost breathing surface.
A face emerges from the dark circles and the sharp profile line – not clearly defined, but rather like a fleeting impression, a mood. The small red rabbit and the red circular… shape add minimal yet precisely placed accents, imbuing the image with a state between lightness and seriousness.
The lines in the lower area are reminiscent of a landscape that either supports the face or opposes it – an interplay of figure and space, inside and outside.
NOTE: Due to its 6 cm depth, the artwork can not only be hung but also displayed freestanding. It can be hung in various orientations.
Christiane Hiltrop develops open pictorial structures that exist between surface and space. Through the layering of paper, ink, acrylic, pencil, charcoal, and collage on an open wooden support, she creates dense yet breathable surfaces. Material is understood not merely as a support, but as an active component of the pictorial process. Variable orientations change the perception of the work in space and constantly open up new perspectives – the viewer can become part of this open process. In terms of content, European and Japanese visual logics merge as permeable layers. Signs, shifts in scale, and transparent planes create tensions between visibility and concealment, movement and stillness. Hiltrop has a background in visual communication, art history, and modern Japanese studies. Her academic engagement with image theory and cultural studies shapes the conceptual orientation of her work.