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Iris and Moon Rabbit
This work exists in the space between East and West, between stillness and subtle movement. Ink, acrylic, pencil, and collage combine on an open wooden support to create a multi-layered pictorial space where lines and delicate color nuances interlock.
The bamboo – a protective and welcoming element in Shinto – forms the still axis of the image. Along this axis appear the iris blossoms (ayame), which in Japan symbolize purity,… courage, and the power of renewal. The small rabbit alludes to the moon rabbit, a symbol of transformation, lightness, and stepping into the unknown.
Between organic drawing, delicate overlays and open surfaces, a calm yet vibrant space emerges, in which change and clarity merge into one another.
Note: The open wooden support allows for flexible presentation; the artwork can be hung in various orientations.
Christiane Hiltrop develops open pictorial structures that exist between surface and space. Through the layering of paper, ink, acrylic, pencil, charcoal, and collage on an open wooden support, she creates dense yet breathable surfaces. Material is understood not merely as a support, but as an active component of the pictorial process. Variable orientations change the perception of the work in space and constantly open up new perspectives – the viewer can become part of this open process. In terms of content, European and Japanese visual logics merge as permeable layers. Signs, shifts in scale, and transparent planes create tensions between visibility and concealment, movement and stillness. Hiltrop has a background in visual communication, art history, and modern Japanese studies. Her academic engagement with image theory and cultural studies shapes the conceptual orientation of her work.