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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
29.5x51.2in
About this artwork
In Movement II, a compelling diptych, Daesun Choi continues his critique of media and language. For years, the artist has repurposed shredded Korean newspapers—symbols of information distortion and the 'trumpet of the establishment'—as the core material for his relief works. Choi laments the media's power to distort truth. He believes viewers must move beyond doxa (popular opinion) and the limitations of language-created ideas, advocating instead… for an intuitive grasp of the world. The artist creates a tactile paper relief, unfolding his narrative across the two canvases. Through dynamic concave and convex lines, the text and images of the newspaper are fused into abstract forms, reflecting the binary code of 0 and 1. The systematic deconstruction of language via horizontal, vertical, and diagonal lines generates a profound new space and time. This deliberate material transformation liberates the work from manipulated language, revealing the artist's true conviction.
« I am a Korean artist who loves solitude, silence, and contemplation. I do not believe in philosophical realism. I believe that the world lasts only in permanent change. »
Daesun Choi is an artist based in South Korea whose paintings have been widely exhibited nationally, as well as in Japan, the United States, and Germany. His most recent abstract and semi-abstract compositions are made using newspapers, hanji, or paper strings. For Choi, the newspaper represents the secular world in which we live. However, he does not believe that this medium gives an accurate interpretation because of the inherent limitations of text language, whose meaning can be easily distorted.