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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
63.9x51.3in
About this artwork
In Movement I, Daesun Choi resumes his critique of the pervasive influence of language and media. For years, the artist has repurposed shredded mainstream Korean newspapers—symbols of information distortion and the 'trumpet of the establishment'—as the core material for his relief works. This practice dismantles the accepted narrative, transforming manipulative language into a purely tactile, aesthetic substance. Choi believes one must move beyond… the doxa (popular opinion) and the limitations of language-created ideas. Instead, he advocates for an intuitive grasp of the world behind the linguistic veil. The resulting paper relief embodies this philosophical stance. Though the canvas presents a deeply static texture, the composition suggests the beginning of continuous movement and change. This new space-time is a visual paradox, embodying the silent yet perpetual transformation that occurs when the mind seeks truth through intuition.
« I am a Korean artist who loves solitude, silence, and contemplation. I do not believe in philosophical realism. I believe that the world lasts only in permanent change. »
Daesun Choi is an artist based in South Korea whose paintings have been widely exhibited nationally, as well as in Japan, the United States, and Germany. His most recent abstract and semi-abstract compositions are made using newspapers, hanji, or paper strings. For Choi, the newspaper represents the secular world in which we live. However, he does not believe that this medium gives an accurate interpretation because of the inherent limitations of text language, whose meaning can be easily distorted.