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The term Derived Landscape refers first to the idea of continental drift — the slow displacement of matter before geography stabilizes into named forms. I use this reference not to describe a place, but to situate the image within a logic of gradual transformation.
More importantly, Derived Landscape refers to the drift of the abstract work itself. This image emerged while working directly from Ur II, using the same visual… material. Through a slight displacement of structure, density, and tonal balance, the abstract field began to reorganize. Depth became legible. Cold registered in the image.
This is not a landscape constructed from observation. It is a byproduct of the abstract image drifting away from its initial condition. Ur II remains the primary state. This image records a secondary configuration produced by the same material under altered constraints.
Denis Leclerc, a classically trained painter and accomplished digital artist, bridges the worlds of fine art and visual communication with an expansive practice rooted in oil, acrylic, and digital media. His intricate, layered digital abstractions skillfully blend painterly gestures with subtle animation, drawing from a meditative, minimalist sensibility or a lush, baroque digital vocabulary. Each piece explores transformation and ambiguity, inviting viewers into liminal spaces where forms shift and dissolve—conveying emotions of suspension, quiet resonance, and lingering presence that invite slow, contemplative attention.