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El Salado, Macayepos, Santa Cecilia in Astrea, in La Modelo Prison, La Chorrera, Nueva Venecia, Sabaletas, Río Manso, Chengue, Alto de Naya, Bojayá, El Limón, San Juan Nepomuceno, La Punta de los Remedios, San Carlos , Urrao, Bahía Portete, Flor Amarillo and Cravo Charro, La Gabarra, Norte de Santander, Llorente, Nariño, El Alfilador, Puerto Asís, San Salvador, Punta del Este, Buenaventura, San José de Apartadó, Palomas. Puerto Valdivia, Sanza, Nariño,… Jamundí, Caño Dulce, Iraca, Awá indigenous people in Nariño, Buenavista, Barbacoas, Reservation of Tumaco, Sánchez, Policarpa, Cumaribo, Suárez, de la Unión, La Unión, La Barra, Amalfi, Timba, Magüí Payán, Yarumal, Tacueyó, Palmarito, Jamundí, Tibú, Samaniego, Betania and Puerto Leguizamo. These are some of the official massacres perpetrated in Colombia only since the beginning of the 21st century by all the actors in the country's internal armed conflict, without adding missing persons in rivers and mass graves.
« If I have many ways of seeing and feeling things, I would be a fool to paint for only a small circle of people. »
Didier Franco is a Colombian painter who from a young age has considered art as a way of life. Working primarily in acrylics, Franco’s subject matter is broad and ever-changing; he depicts the urban and the rural, the intimate and the collective, the natural and the created. The artist’s distinctive style particularly revolves around his use of color. In pairing complementary and contrasting primary colors with minimal gradation, Franco’s works provoke pleasant and aggressive sensations within the viewer simultaneously.