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Nicodemus is one of the most discreet yet profound figures in the Gospels. A Pharisee and teacher of the Law, he comes to Jesus at night, driven by a desire to understand as much as by the fear of being seen. This nocturnal encounter, filled with questions, silences, and misunderstandings, marks the beginning of an inner journey that will continue to unfold.
In this splash, the face appears as if held in shadow, traversed by chromatic tensions… that translate the inner struggle between established knowledge and appeal. The deliberately unstable forms and the vibration of the colors suggest a mind in motion, still unable to name what it senses.
This work is part of my research around figures of transition: those who do not convert in brilliance or rupture, but advance slowly, with measured steps, towards the light.
**Dominique Nugues** is a self-taught French artist whose work revolves around two main mediums: **digital printmaking (fine art giclée)** and **acrylic painting on canvas**. At the crossroads of tradition and contemporary tools, his approach is rooted in a pronounced **spiritual expressionism**. His background is in theatrical set design (1970–1987).
The **face** is central to his work. Portraits and human figures become sites of tension and revelation, where matter, color, and erasure seek to bring forth an inner presence rather than a mere resemblance. This exploration resonates with the writings of **Olivier Clément**, for whom the face remains a bearer of hope.
His work has been praised by critics. Between 2010 and 2019, he dedicated himself to the religious communities of the Annonciade, contributing to their development.