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A long march stretches into the distance, linking the front and the back in a single breath. The riders and camel drivers advance together, carried by a collective movement that transcends each individual. In the foreground, the figures still seem present, embodied, but as the gaze moves further away, they merge into an almost infinite line, absorbed by the landscape.
The mountains present a backdrop that is both majestic and indifferent. They… do not accompany the journey; they watch it pass, unchanging. The colors, soft yet shifting, suggest a world in transition, as if time itself were expanding in this open space.
The scene shows not only a movement, but a continuity. A passage between places, but also between states, where man, animal and earth seem linked by the same need to move forward, without certainty about what awaits at the end of the horizon.
Driss Meskini, a Moroccan painter trained at the National Institute of Fine Arts and the School of Visual Arts in New York, works primarily in oil on canvas. He blends figuration, impressionism, and expressionism, using free brushstrokes, vibrant textures, and a keen sensitivity to light to reveal the soul of landscapes, architecture, and places of memory. In his works, he seeks to convey a contemplative atmosphere, imbued with quiet poetry and profound emotion, inviting us to rediscover the subtle beauty of everyday life.