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A dark, glowing abstraction where red light breaks through shadow. Obscura embodies tension, mystery, and the subtle beauty of what remains partially hidden.
Obscura embraces shadow as a space of potential. Deep reds and blacks blend into one another, revealing only traces of form—a suggestion rather than a declaration. The piece originates from painted material transformed through photographic distortion, enhancing its enigmatic quality.
It is… a study in what resists clarity: the emotions we sense but cannot fully name. Obscura invites viewers to linger in ambiguity, where darkness becomes a source of depth rather than absence.
Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates images that resist narration and invite sustained looking.
Influenced by Turner, Rothko and Richter, as well as the Japanese aesthetics of yūgen and ma., his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.
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Obscura
Eric Rugers
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